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Questions

Question 1

What term describes a musical form consisting of two approximately equivalent sections?

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Question 2

What is the defining characteristic of a sectional binary form?

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Question 3

If the first part of a binary form ends on a harmony other than the tonic triad of the main key, what is it called?

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Question 4

What is the term for a musical movement or theme that consists of two repeated sections?

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Question 5

What symbolic representation best describes the statement-contrast-return principle of a ternary form?

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Question 6

In the American popular ballad form, what is the typical length of the 'bridge' section?

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Question 7

What is the typical letter-scheme for the American popular ballad form's structure?

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Question 8

What structural pattern defines a rounded binary form?

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Question 9

The 12-bar blues form is composed of how many four-bar phrases?

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Question 10

What is the most basic harmonic pattern for the three phrases of a 12-bar blues?

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Question 11

What are the three main sections of a sonata form?

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Question 12

In sonata form, which section presents the main themes and establishes the central tonal conflict?

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Question 13

Which section of the sonata form resolves the tonal conflict by presenting the secondary theme in the home key?

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Question 14

In a major-mode sonata form movement, the exposition typically modulates from the home key (I) to which secondary key?

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Question 15

In a minor-mode sonata form movement, what is the typical secondary key found in the exposition?

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Question 16

In sonata form, what is the function of the transition section found between the primary (P) and secondary (S) themes?

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Question 17

A situation in a sonata's development section where the opening motive returns but in the wrong key or mode is called what?

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Question 18

What is the defining characteristic of a rondo form?

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Question 19

Which of the following represents the structure of a five-part (classic) rondo?

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Question 20

What is the structure of a seven-part rondo?

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Question 21

How is a sonata-rondo distinguished from a seven-part rondo?

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Question 22

In a minuet and trio movement, what is the overall large-scale form?

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Question 23

What is the term for a special concluding section that is sometimes added to the end of a movement?

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Question 24

According to the analysis of the slow movement from Brahms's Symphony no. 1, what section occurs between measures 28 and 38?

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Question 25

In the normative sonata form diagram, what do the letters P and S stand for?

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Question 26

What is the primary function of the Primary theme (P) group in a sonata exposition?

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Question 27

What is the function of the Secondary theme (S) group in a sonata exposition?

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Question 28

The distinction between sectional and continuous forms is based on what factor?

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Question 29

What is the difference between a ternary form and a rounded binary form?

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Question 30

What is the typical text pattern for a 12-bar blues song with lyrics?

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Question 31

In the analysis of the slow movement from Brahms's Symphony no. 1, what is the tonality of the B section (measures 39-57)?

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Question 32

Expositions and recapitulations in sonata form often end with a section that further confirms the prevailing key. What is this section called?

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Question 33

What is the structure of the five-part rondo variant?

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Question 34

In a seven-part rondo (A B A C A B A), in what key does the second B section typically appear?

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Question 35

The term 'balanced binary' refers to a binary form where:

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Question 36

In the analysis of Mozart's Piano Sonata K. 309, what happens to the modulating transition in the recapitulation?

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Question 37

Which formal term best describes the structure of 'Oh, Susannah' as presented in the text?

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Question 38

According to the detailed analysis of Mozart's Piano Sonata K. 309, what is a common feature of transitions, illustrated in measure 21?

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Question 39

The development section of a sonata form has what kind of organization?

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Question 40

What is the key relationship between a minuet and its trio?

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Question 41

What is the total number of measures in the American popular ballad form as diagrammed in the text?

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Question 42

In the summary's discussion of sonata form, a passage that destabilizes the home key is called a:

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Question 43

According to the analysis of the Bach Minuet in Example 20-2, the form is described as a two-reprise continuous binary form. Why is it 'continuous'?

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Question 44

In the analysis of the Haydn Trio (Example 20-4), the form is identified as a two-reprise sectional ternary. Why is it 'sectional'?

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Question 45

In the normative diagram for sonata-rondo form, what is the tonal center for the final A B A sections?

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Question 46

The analysis of Schumann's 'Melody' (Example 20-5) explains that its five-part appearance (A B A' B A') is misleading. What is the actual underlying form?

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Question 47

In the detailed analysis of the development of Mozart's Piano Sonata K. 309, what kind of cadence occurs in measure 82?

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Question 48

What is the typical phrase structure for a sectional rounded binary form as diagrammed in the text?

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Question 49

According to the analysis of Mozart's Piano Sonata K. 331, I (Example 20-7), the form is a two-reprise sectional rounded binary. How does it differ from 'Oh! Susannah'?

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Question 50

In the summary of sonata form on page 345, the exposition is described as establishing a tonal conflict between an initial home key and what other key?

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