Modulations Using Diatonic Common Chords

What term describes a shift of tonal center that takes place within an individual movement of a composition?

What term is used for the movement between two keys that share the same tonic tone but have different modes, such as C major and c minor?

How are 'closely related keys' defined in the context of tonal music?

What is the term for a chord that serves as a hinge or pivot linking two tonalities in a common-chord modulation?

In the procedural analysis of a common-chord modulation, after identifying the 'point of modulation', what is the next step?

What is the relationship between the keys of G major and f-sharp minor?

According to the table of common chords between B-flat major and F major, which triad functions as the tonic (I) in B-flat and the subdominant (IV) in F?

Which chords are often the least successful choices for a common chord because a modulation using them can sound too abrupt?

What is the most frequently encountered modulation in major keys?

In minor keys, which two modulations are the most frequently encountered?

In the modulation from C major to G major in Example 18-4, what are the functions of the F-sharp diminished chord?

What is the single most important factor in convincing a listener that a true modulation has occurred, as opposed to a brief tonicization?

What kind of key relationship exists between any two keys that are not enharmonic, parallel, relative, or closely related?

In Example 18-7, a modulation from E-flat major to g minor occurs. What chord serves as the pivot, and what is its function in both keys?

Which of the following is an alternative method for finding the keys closely related to a starting key?

How many diatonic triads do the keys of B-flat major and c minor have in common, assuming the standard minor scale chord qualities?

In the context of analyzing modulations, what is the role of the common chord?

What are the five keys that are considered closely related to C major?

What are the five keys that are considered closely related to c minor?

The chapter states that the line between modulation and what other musical process is not clearly defined?

In the modulation from d minor to F major in Example 18-6, what chord serves as the pivot?

When analyzing a modulation, what is a common characteristic of the 'point of modulation' chord?

What is the key relationship between c-sharp minor and F-sharp major?

In a multimovement work that begins in c minor, it is common for the final movement to end in what key to be considered still 'in C'?

What does the text suggest is one way to make a modulation that uses V or vii-diminished as a pivot chord sound smoother and less abrupt?

True or false: Any pair of closely related keys will have at least one diatonic triad in common that can be used as a pivot chord.

What is the relationship between the keys of B major and E major?

When using the method of finding closely related keys by taking the diatonic major and minor triads of the home key, which triad from the C major scale is excluded?

How might a composer handle key signatures during a movement that contains multiple modulations?

What is the relationship between the keys of d minor and D major?

The term 'change of key' is used to describe a shift in tonality that occurs in what context?

How would the modulation from C major to D major be described in terms of simpler relationships?

In Exercise C, you are asked to list common chords. How many common diatonic triads exist between the keys of G major and D major?

What is the relative minor key of F major?

Which statement best contrasts 'modulation' and 'change of key' as defined in the chapter?

Why might a listener interpret a passage as a brief tonicization rather than a full modulation?

What is the relative major key of a minor?

How many common diatonic triads exist between the keys of a minor and F major?

A modulation is made smoother if the V-I progression in the new key is delayed. Which of the following is NOT listed as a way to achieve this delay?

What are the three distinct methods described in the chapter for finding the five keys closely related to a starting key?

In a common-chord modulation from F major to C major, which chord could function as I in F and IV in C?

What type of key relationship do C-sharp major and D-flat major have?

When analyzing the common chords between B-flat major and c minor, which chord functions as IV in B-flat and III in c?

According to the analysis of Example 18-2, the modulation from B-flat major to c minor uses which chord as the pivot?

What is the primary purpose of a common-chord modulation?

In the summary, 'change of mode' is described as movement between what type of keys?

What is the key relationship between A-flat major and b-flat minor?

Which statement accurately describes the relationship between pivot chords and foreign key relationships?

In a modulation from A major to E major, which chord could function as V in A and I in E?

What is the final step in the three-step procedure for discovering a common-chord modulation, after listening carefully and finding the point of modulation?