Cadences, Phrases, Periods, and Sentences

50 questions available

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Questions

Question 1

Which of the following best defines a perfect authentic cadence (PAC)?

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Question 2

An authentic cadence that does not meet the requirements of a perfect authentic cadence (PAC) is known as what?

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Question 3

What is a defining characteristic of a root position imperfect authentic cadence (IAC)?

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Question 4

What progression most commonly constitutes a deceptive cadence (DC)?

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Question 5

A half cadence (HC) is a common type of unstable or 'progressive' cadence that ends on which chord?

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Question 6

What specific progression in a minor key is known as a Phrygian half cadence?

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Question 7

What harmonic progression typically defines a plagal cadence (PC)?

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Question 8

Cadences can be classified into two general groups based on their feeling of finality. What are these two groups?

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Question 9

What is the smallest identifiable musical idea, which can consist of a pitch pattern, a rhythmic pattern, or both?

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Question 10

What term describes a relatively independent musical idea that is terminated by a cadence?

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Question 11

What is the essential difference between a subphrase and a phrase?

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Question 12

What is the term for the process where the last note of one phrase serves as the first note of the next phrase?

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Question 13

A period typically consists of two phrases in an antecedent-consequent relationship. How is this relationship established?

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Question 14

How does a period differ from a repeated phrase?

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Question 15

What term is used for a period in which both phrases begin with similar or identical material?

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Question 16

A period in which the beginnings of the antecedent and consequent phrases are not similar is called what?

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Question 17

A genuine three-phrase period consists of three different phrases. How are the antecedent and consequent roles of these phrases determined?

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Question 18

How many phrases does a double period typically consist of?

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Question 19

Why is a repeated period not the same as a double period?

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Question 20

What is the defining characteristic of a sentence form?

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Question 21

When analyzing a musical form, if a repetition of the initial measures occurs immediately, what formal type is most likely?

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Question 22

When analyzing a passage, what does the presence of a single strong cadence often suggest?

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Question 23

In the analysis of Mozart's 'An die Freude' (K. 53), what type of cadence is identified in measure 4?

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Question 24

According to the provided analysis of Mozart's 'An die Freude' (K. 53), what type of cadence concludes the phrase in measure 8?

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Question 25

In the analysis of Mozart's 'An die Freude' (K. 53), the cadence in measure 12 is identified as which type?

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Question 26

What type of cadence occurs in measure 20 of Mozart's 'An die Freude' (K. 53), and in what key?

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Question 27

According to the analysis table for Mozart's 'An die Freude' (K. 53), what type of cadence is found in measure 24?

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Question 28

The phrase ending in measure 32 of Mozart's 'An die Freude' (K. 53) uses what type of cadence?

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Question 29

What is the final cadence type in the analysis of Mozart's 'An die Freude' (K. 53), found in measure 40?

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Question 30

According to the summary table of cadence types, what is the defining characteristic of the first chord in an Authentic cadence?

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Question 31

Based on the summary table of cadence types, what is a key feature of the first chord in a Plagal cadence?

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Question 32

The summary table of cadence types defines a Deceptive cadence as a progression where the first chord contains the leading tone and the second chord is what?

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Question 33

According to the general definitions in the cadence type table, a Half cadence involves a progression where the first chord does not contain the leading tone and the second chord is what?

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Question 34

As a very general rule regarding cadences and harmonic rhythm, on which beat does the last chord of a cadence usually fall?

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Question 35

A leading-tone imperfect authentic cadence (IAC) is one in which the tonic chord is preceded by what?

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Question 36

What defines an inverted imperfect authentic cadence (IAC)?

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Question 37

Which two cadence types are classified as 'progressive' because they create a feeling of forward motion?

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Question 38

Which two cadence types are classified as 'conclusive' because they provide a sense of finality?

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Question 39

What term is used for a group of phrases that seem to belong together structurally but do not form a period or double period, typically because the final cadence is not the strongest one?

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Question 40

In terms of formal structure, how long is a sentence typically?

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Question 41

What is the primary function of a cadence in tonal music?

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Question 42

Which cadence type is considered the most final sounding of all cadences?

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Question 43

The deceptive cadence (DC) produces a very unstable feeling. For this reason, what is a primary restriction on its use?

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Question 44

Although plagal cadences (PC) are usually final sounding, how does their importance in tonal music compare to the authentic cadence?

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Question 45

Which of the following cadence patterns is a common structure for a period?

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Question 46

In a double period, what is the relationship between the cadence at the end of the first pair of phrases and the cadence at the end of the second pair?

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Question 47

The term 'motive' is best used to refer only to those musical ideas that are treated in what way within a composition?

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Question 48

According to the analysis clues, if a repetition of the initial measures occurs somewhere in the middle of a passage, what form is a likely possibility?

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Question 49

How is the second half of a sentence, the part that follows the initial idea and its repetition, typically characterized?

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Question 50

It is noted that one formal type can appear inside another. The text provides an example where two sentences form the antecedent and consequent phrases of what larger form?

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