Foreword by David Hyde Pierce

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Questions

Question 1

In the foreword, what was David Hyde Pierce's experience acting with Uta Hagen?

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Question 2

How many other people were on stage with David Hyde Pierce and Uta Hagen during the play mentioned in the foreword?

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Question 3

What did David Hyde Pierce do to prepare for working with Uta Hagen?

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Question 4

According to David Hyde Pierce, which word was NOT part of his description of Uta Hagen when they met?

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Question 5

What was the 'biggest surprise' for David Hyde Pierce as a student of Uta Hagen's writing when he finally worked with her?

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Question 6

What was Uta Hagen's reasoning for wanting a real refrigerator in the rehearsal room?

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Question 7

What happened to the 'fantastic metal cookie tin' the designer provided for the show?

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Question 8

Why did David Hyde Pierce feel he did not need to use substitutions for his emotional speech about Alzheimer's disease?

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Question 9

On the night David Hyde Pierce's emotion for the Alzheimer's speech 'wasn't coming,' what did he do?

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Question 10

When did David Hyde Pierce's character finally 'come completely undone' with emotion on that particular night?

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Question 11

What was Uta Hagen's comment to David Hyde Pierce backstage after the scene where his emotion was delayed?

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Question 12

According to the foreword, how did Uta Hagen feel about her book 'Respect for Acting' after it was published?

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Question 13

What was the name of the other book Uta Hagen wrote, which she hoped would replace 'Respect for Acting'?

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Question 14

What is the reason David Hyde Pierce gives for why 'Respect for Acting' endures despite Hagen's wishes?

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Question 15

What did Uta Hagen want actors to have so much of that they would 'never settle for the easy, the superficial, or the cheap'?

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Question 16

What did the acting teachers tell Uta Hagen they were doing when she visited their classes and was horrified?

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Question 17

How is 'Challenge for the Actor' described in comparison to 'Respect for Acting'?

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Question 18

What did David Hyde Pierce find to be neither 'frivolous nor selfish' about Uta Hagen's acting process?

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Question 19

What was the specific prop, besides the refrigerator, that was central to an anecdote in the foreword?

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Question 20

What effect did acting with Uta Hagen have on David Hyde Pierce?

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Question 21

What was the approximate age of Uta Hagen when David Hyde Pierce worked with her?

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Question 22

David Hyde Pierce notes that Uta Hagen wanted actors to continuously do what in their scenes, plays, and careers?

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Question 23

How did David Hyde Pierce feel about being the only other person on stage with Uta Hagen?

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Question 24

The cookie container that was used for the entire run of the show was made of what material?

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Question 25

Which page and item number from 'Respect for Acting' did David Hyde Pierce think of during his speech?

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Question 26

What does David Hyde Pierce suggest should be read as a companion to 'Respect for Acting'?

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Question 27

According to David Hyde Pierce, what does Uta Hagen's voice in the book reveal about who she was?

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Question 28

What paradoxical statement does David Hyde Pierce make about 'Respect for Acting' in the final sentence of the foreword?

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Question 29

The metal cookie tin provided by the designer was described as being what?

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Question 30

What physical reaction did Uta Hagen have to the new metal cookie tin?

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Question 31

What was the innocuous line David Hyde Pierce delivered just before his emotional release?

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Question 32

David Hyde Pierce describes Uta Hagen's on-stage reality as having what quality?

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Question 33

What did David Hyde Pierce's personal connection to Alzheimer's allow him to do in his performance?

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Question 34

What does David Hyde Pierce say is captured in 'Respect for Acting'?

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Question 35

What did Uta Hagen NOT want actors to settle for, according to the foreword?

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Question 36

The foreword suggests that Uta Hagen's physical and vocal lyricism had its roots in what?

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Question 37

What did Uta Hagen dislike, leading her to say 'No cardboard mock-ups for her'?

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Question 38

When the designer replaced the rehearsal prop, it was on the day the company did what?

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Question 39

What was David Hyde Pierce's state of mind when he realized the emotion for his speech wasn't coming?

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Question 40

How did Uta Hagen look at David Hyde Pierce when she commented on his performance backstage?

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Question 41

What was Uta Hagen doing when she became 'horrified' by the use of her exercises?

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Question 42

At the time David Hyde Pierce worked with her, Uta Hagen was described as 'still a...'?

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Question 43

Which of these is NOT a word David Hyde Pierce uses to describe Uta Hagen's performance quality?

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Question 44

The foreword implies that Uta Hagen's insistence on specific props stemmed from her commitment to what?

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Question 45

What was the relationship between Uta Hagen and David Hyde Pierce in the play they performed?

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Question 46

In the anecdote about the delayed emotion, David Hyde Pierce knew Uta Hagen would accept his performance because he was thinking about her advice to not do what?

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Question 47

Why did Uta Hagen write 'Challenge for the Actor'?

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Question 48

What does David Hyde Pierce say actors will 'catch a glimpse of' in this book?

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Question 49

The foreword characterizes Uta Hagen's desire for actors to never settle as a desire for them to 'keep on...' what?

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Question 50

What did David Hyde Pierce say that 'nothing could prepare you for'?

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