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Questions

Question 1

What is presented as Rule #1 for a reporter who understands their medium?

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Question 2

What example is used to illustrate the confusion that occurs when words and pictures do not align?

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Question 3

According to the text, why should writers for electronic media avoid using symbols like '#', '%', or '&' in a script?

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Question 4

How should an acronym like NAACP be written for a teleprompter script and why?

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Question 5

What is the preferred alternative to using a direct quotation in writing for electronic media?

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Question 6

Under what condition is it acceptable to use passive voice, even though active voice is generally preferred?

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Question 7

What is the key difference between 'real present-tense' and 'false present' as described in the text?

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Question 8

What reason is given for why some writers drop verbs from their sentences, such as in 'A MAN...IN JAIL TONIGHT'?

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Question 9

What factor influences the story selection for noon and early afternoon TV shows, leading to the exclusion of sportscasts?

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Question 10

What does the acronym OER stand for in the context of this textbook?

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Question 11

What is the stated goal of the book 'Writing for Electronic Media'?

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Question 12

What crucial action must a writer take with their script to ensure it 'sounds OK' before it goes to an anchor?

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Question 13

How is script length related to the video it accompanies?

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Question 14

What department, besides the newsroom, uses audience demographic data?

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Question 15

What writing technique is suggested if a soundbite is unavailable for a quote?

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Question 16

How many syllables is the acronym 'NAACP' judged to be by producing software versus when it is spoken aloud as 'N-DOUBLE-A-C-P'?

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Question 17

According to the text, what is the primary reason for writing to be 'heard once and understood'?

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Question 18

In the armadillo example, the active voice sentence is 'A WESTBOUND CAR HIT THE ARMADILLO'. Why is this sentence considered less appropriate for the story?

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Question 19

What journalism fundamentals does the author state this book will NOT teach?

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Question 20

The author extrapolates on studies about what topic to warn about the effect of mismatching words and video?

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Question 21

What physical activity do people in newsrooms engage in that the author describes as looking 'funny' but being 'worth it'?

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Question 22

Which of the following is NOT listed as a way to memorialize Rule #1: Write to Video?

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Question 23

Besides present-tense, what other tense does the author say 'we also like' for broadcast writing?

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Question 24

What specific example of audience data is mentioned in the 'Audience' section?

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Question 25

What does the author state is the primary characteristic of sentences written for electronic media?

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Question 26

According to the text, what is the safest way to stay informed while in a car?

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Question 27

What is the potential negative consequence mentioned of an anchor seeing 'N-DOUBLE-A-C-P' written in the teleprompter?

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Question 28

In the example of the kangaroo mistakenly kicking a rock, what is the 'real present-tense' sentence?

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Question 29

What is the general rule about using contractions in broadcast writing?

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Question 30

What are the three modern media formats mentioned to which people's viewing habits are migrating?

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Question 31

What is the author's stated intention regarding keeping the OER textbook updated?

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Question 32

What does Rule #1 affect, according to the text?

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Question 33

How is the symbol '#' timed by producing software compared to the word it represents, like 'number' or 'hashtag'?

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Question 34

In the example 'A KANGAROO KICKS A ROCK... AND BROKE ITS FOOT', why is this considered 'false present'?

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Question 35

What type of verb is particularly identified as 'weak' in the text?

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Question 36

What is the intended audience for this book, according to the introduction?

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Question 37

What does the text claim is the result of 'Words and pictures acting together'?

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Question 38

How does the text describe the effect of stories about future events on a television newsroom?

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Question 39

In the author's example, how many seconds does it take for the kangaroo to hop up and kick the ball?

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Question 40

What is the author's recommendation at the end of the introduction for the first edition of the book?

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Question 41

How should a writer's story selection be influenced by the audience?

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Question 42

What is the primary medium of focus for this textbook?

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Question 43

The sentence 'IT HURTS TO BE THE KANGAROO AND THE MAN WHO TRICKED IT TONIGHT...' is used as an example of what?

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Question 44

What is the fundamental difference between reading a newspaper story and watching a TV story that impacts writing style?

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Question 45

Why might a writer choose to use the passive voice sentence 'THE ARMADILLO WAS CROSSING THE STREET...'?

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Question 46

What does the text say is still a 'dominant #1 source' for news?

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Question 47

What is the book meant to accompany?

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Question 48

What is the first step a writer should take after being given a story, according to the principles in the introduction?

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Question 49

The author suggests that if words and pictures are deviated, it can 'damage their brains.' What scientific concept is this statement an extrapolation of?

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Question 50

What is the problem with the sentence structure 'A MAN...IN JAIL TONIGHT'?

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