From what characteristic do the class of chords known as augmented sixth chords get their name?

Correct answer: From the interval of an augmented 6th formed between two of its pitches.

Explanation

The entire category of augmented sixth chords is named for its most defining feature: the presence of an augmented sixth interval, typically formed between the flat 6 and sharp 4 scale degrees, which resolves outward to the dominant.

Other questions

Question 1

What two approaching tones form the vertical interval of an augmented sixth when resolving to the dominant?

Question 2

What are the two essential scale degrees that form the characteristic interval of most augmented sixth chords?

Question 3

In addition to the characteristic augmented sixth interval, which pitch class is included to form an Italian augmented sixth chord (It+6)?

Question 4

What scale degree is added to an Italian augmented sixth chord to create a French augmented sixth chord (Fr+6)?

Question 5

Which pitch is added to an Italian augmented sixth chord to form a German augmented sixth chord (Ger+6)?

Question 6

How does the interval of the augmented sixth typically resolve?

Question 7

What chord is the most common resolution target for an augmented sixth chord?

Question 8

The resolution of which augmented sixth chord is most likely to result in parallel fifths when moving directly to a V chord?

Question 9

What is the most common way composers avoid the parallel fifths that can occur when a German augmented sixth chord resolves?

Question 10

In a four-part texture, which pitch of the Italian augmented sixth chord is typically doubled?

Question 11

For what reason is a German augmented sixth chord sometimes spelled enharmonically when resolving to a cadential I6/4 in the major mode?

Question 12

If an augmented sixth chord appears with a pitch other than the minor-mode flat 6 in the bass, how does this affect its analytical symbol?

Question 13

When an augmented sixth chord resolves to a scale degree other than 5, how is this indicated in the analysis?

Question 14

What harmonic progression illustrates the use of an augmented sixth chord as a neighbor chord?

Question 15

According to the chapter, what pitch serves as the root of an augmented sixth chord?

Question 16

Which augmented sixth chord is enharmonically equivalent to a dominant seventh chord of the Neapolitan (V7/N)?

Question 17

What is the historical origin of the augmented sixth chord?

Question 18

Besides the augmented sixth, what other characteristic dissonant interval is formed within a French augmented sixth chord between the bass note (flat 6) and scale degree 2?

Question 19

In popular music and jazz, how might a French augmented sixth chord on G be symbolized?

Question 20

According to the text, how are German augmented sixth chords frequently indicated in lead-sheet symbols?

Question 21

What is a common function of an augmented sixth chord when used immediately following a modulation?

Question 22

Which bass position, other than the customary one with flat 6 in the bass, occurs with some frequency for augmented sixth chords, especially in Romantic music?

Question 23

When an augmented sixth chord is placed in a different bass position, what interval does the characteristic augmented sixth often become?

Question 24

The Italian, French, and German augmented sixth chords all share the +6 interval and the tonic pitch. What distinguishes them from each other?

Question 25

The text states that the analytical symbol for an augmented sixth chord is simply '+6'. What does the numeral '6' represent?

Question 26

A German augmented sixth chord in the key of C minor consists of which four pitches?

Question 27

A French augmented sixth chord in the key of A minor consists of which four pitches?

Question 28

In a four-part setting of an Italian augmented sixth chord in G major, which pitches would be present?

Question 29

While the interval of the augmented sixth usually resolves outward, what is a less common alternative resolution for the top pitch (sharp 4)?

Question 30

When an augmented sixth chord is used in a major key, what harmonic device often precedes it?

Question 31

Why are the parallel fifths that can result from a Ger+6 to V resolution sometimes considered not so objectionable?

Question 32

In Example 22-12, how does Mozart turn a Ger+6 into another chord type just before the resolution to avoid parallel fifths?

Question 33

In Example 22-8, a three-part sequence tonicizing i, VI, and iv leads to a half cadence preceded by what type of chord?

Question 34

When an augmented sixth chord resolves to a secondary dominant, how is it best analyzed?

Question 35

The German augmented sixth chord contains the interval of a minor-mode flat 3 above the bass note (flat 6). What quality of third does this create?

Question 36

In Example 22-17, the Ger+6 chord resolves to a I6/4 chord. What is the function of this I6/4 chord?

Question 37

In Example 22-5, an It+6 is shown in a three-part texture. Most of the excerpt consists of parallel 6ths surrounding what kind of texture in the alto voice?

Question 38

In Example 22-14, how does the sharp 4 (B-natural 3) in the Ger+6 chord move to provide the 7th of the following V7 chord?

Question 39

In Example 22-8, the Fr+6 chord in measure 8 is composed of which pitches? The key is F minor.

Question 40

What is the correct way to label a French augmented sixth chord to distinguish it from a lead-sheet symbol for a chord on F?

Question 41

In an Italian augmented sixth chord, what is the interval between the bass note (minor-mode flat 6) and the added tonic pitch?

Question 43

The interval of an augmented sixth is enharmonically equivalent to a minor seventh. What is the key difference in their resolution tendencies?

Question 44

In Mozart's String Quartet K. 173, I (Example 22-12), how does Mozart first avoid the parallel fifths of a Ger+6 to V resolution?

Question 45

Besides the customary position and the one with sharp 4 in the bass, what is the only other bass position for augmented sixth chords that occurs with any frequency?

Question 46

A French augmented sixth chord can be thought of as an Italian augmented sixth chord with what added pitch?

Question 47

A German augmented sixth chord can be thought of as an Italian augmented sixth chord with what added pitch?

Question 48

In the key of E-flat major, what two pitches form the augmented sixth interval?

Question 49

In the excerpt from Mozart's String Quartet K. 173, II (Example 22-11), a Ger+6 chord resolves to a V chord. What progression precedes this Ger+6 chord?

Question 50

In Mozart's Piano Sonata K. 457, I (Example 22-23), the It+6 chord in measure 44 is part of a tonicization of what chord?