What is one way a Neapolitan chord can be tonicized?
Explanation
Just like diatonic chords, the chromatic Neapolitan chord can be made to sound like a temporary tonic by preceding it with its own secondary dominant (V/N) or secondary leading-tone chord (vii°/N).
Other questions
What is the term for the process of using tones from one mode, such as minor, in a passage that is predominantly in the other mode, such as major?
What is the name for the major tonic triad that was frequently used to end compositions in a minor key from the early 1500s until around 1750?
How many frequently used borrowed chords in major are created by using the lowered sixth scale degree (b6) from the parallel minor?
What is the definition of a Neapolitan triad?
In which mode and inversion is the Neapolitan chord most typically found?
What is the typical harmonic function of the Neapolitan chord?
When a Neapolitan sixth (N6) chord is written in four parts, which member of the chord is usually doubled?
How does the lowered second scale degree (b2), the root of the Neapolitan chord, typically move in a resolution?
Besides the tonic (i or I), which two other chords most commonly precede a Neapolitan sixth (N6) chord?
Borrowed chords that make use of the lowered third scale degree (b3) in a major key include which of the following sets?
Which borrowed chords are described as being the 'least common' and make use of the lowered seventh scale degree (b7)?
How is the resolution of the lowered sixth scale degree (b6) generally handled in borrowed chords like vii°⁷, iv, or iiø⁷?
While the Neapolitan is most common in first inversion (N6), what is its abbreviation when it appears in root position?
When the use of vii°⁷ to tonicize a major triad (vii°⁷/V) occurs, it is an example of mode mixture because:
In a modulation, how can borrowed chords and the Neapolitan be used?
According to the chart on page 359, slipping from F major into its parallel minor (f minor) provides easy access to how many foreign keys?
In Example 21-17 by Schubert, mode mixture is used to modulate from F major to what key?
What type of chord is used as the common chord in the modulation in Example 21-18?
What is the only scale degree that can be borrowed from major for use in a minor key, according to the textbook's approach?
Which borrowed chord is frequently used in first inversion as part of a stepwise descending bass line, as seen in Example 21-5?
What alternative analytical symbol is mentioned as acceptable for the Neapolitan chord, besides 'N'?
To avoid parallel 5ths when a Neapolitan sixth (N6) moves to a cadential six-four (i6/4), what voice-leading procedure is recommended in Example 21-11c?
What is a less common context for the Neapolitan chord, mentioned in the text as an alternative to its typical use?
Which chord, found in the parallel minor, is enharmonically equivalent to a Picardy third in a minor key?
The use of the bVI chord, as in a V-bVI deceptive cadence, is an example of mode mixture because:
In Example 21-9, which borrowed chord is preceded by its secondary dominant?
Why is the borrowed vii°⁷ chord often considered more useful than the diatonic viik⁷ in major?
Which of the main borrowed chords are minor triads?
What is the relationship between the diminished third (e.g., F-D# in e minor) formed between the root of the N6 and the leading tone?
In the Chopin Mazurka, Example 21-3, the vii°⁷ chord is one of the primary motivic elements. What note is the b6 that defines this borrowed chord?
Which chord in Example 21-8 by Haydn illustrates the use of bVI?
In the film score theme in Example 21-14, the Neapolitan chord is indicated by what lead-sheet symbol?
According to Example 21-15, which two less common uses of the Neapolitan chord are illustrated?
What is the primary characteristic of the borrowed chord iiø⁷?
The roman numeral for the borrowed submediant chord is preceded by a flat (bVI) to indicate what?
In Example 21-19, mode mixture in the new key is used for what purpose?
The text mentions that a root position Neapolitan chord (N) can be prepared by using which chords in the previous measures?
What is the final chord of the textural reduction for Example 21-1?
What interval is contained within the borrowed bIII chord when used in a major key (e.g., C major)?
If a Neapolitan chord is used in the key of C major, what notes would it contain?
If a composer writes a vii°⁷ chord in the key of G major, what borrowed note is being used?
What chord might function as V/N, preparing a Neapolitan chord in the key of d minor?
The final measure of the textural reduction for Example 21-12 in c# minor shows the bass ascending stepwise from which scale degree to which scale degree?
Which statement accurately describes the function of the bVII chord when it appears in a major key?
What type of seventh chord is the borrowed iiø⁷?
In the CHECKPOINT questions on page 353, what is the answer to 'What is the name for the raised 3 in the tonic triad in the minor mode?'
What accidental is required to spell a Neapolitan chord in a minor key?
What progression in Example 21-14, a theme from a film score, ends with the Neapolitan chord?
In a modulation using mode mixture, if a passage begins in a major key and shifts to its parallel minor to use a common chord, the new key will most likely be...