What is 'balance by eye direction'?

Correct answer: A commonly used device where the gaze between figures connects them and offsets a compositional imbalance.

Explanation

Balance by eye direction is a subtle but powerful tool. It creates a 'psychic line' between figures, and this invisible connection can have enough visual weight to balance a more prominent or heavy element on the other side of the composition.

Other questions

Question 1

What is the fundamental principle of balance in visual art as described in the chapter's introduction?

Question 2

In assessing pictorial balance, what do we always assume exists, which functions as the fulcrum on a scale or seesaw?

Question 3

According to the chapter, for what reason might an artist purposefully create a sense of imbalance in a work?

Question 4

In terms of vertical balance, what are we accustomed to seeing that results in a feeling of stability and calmness?

Question 5

What is described as the simplest type of balance, both to create and to recognize?

Question 6

What is another term for symmetrical balance, where one side of a composition is the mirror image of the other?

Question 7

What term is used to describe the static quality that conscious symmetrical repetition can create?

Question 8

Why is symmetrical balance often exploited in the design of government monuments and public buildings?

Question 9

Which artwork discussed in the chapter turns a mountain landscape into a symmetrical shape and superimposes a palindrome, the verbal equivalent of bilateral symmetry?

Question 10

What is the defining characteristic of asymmetrical balance?

Question 11

The chapter uses a children's riddle to explain the essence of asymmetrical balance. What does this riddle compare?

Question 12

What is another, more casual term for asymmetrical balance?

Question 13

In Haim Steinbach's sculpture 'supremely black', how does the artist create an asymmetric arrangement?

Question 14

What is the principle of achieving asymmetrical balance by value?

Question 15

In Mary Cassatt's painting 'Offering the Panale to the Bullfighter', which two elements are described as balancing each other through value and color?

Question 16

How can balance be achieved using texture and pattern?

Question 17

In Katsushika Hokusai's woodcut 'South Wind, Clear Dawn', what elements balance the large, simple, red mountain shape?

Question 18

What principle of physics is applied to design in the concept of 'balance by position'?

Question 19

In Aubrey Beardsley's illustration 'Garçons de Café', how is the group of three figures on the left balanced?

Question 21

In Fra Angelico's 'The Annunciation', what two elements work together to offset the visual weight of the angel's prominent wings?

Question 22

How is the composition of Caravaggio's 'The Calling of St. Matthew' described in the 'Analysis Summary' section?

Question 23

Garry Winogrand's photograph 'White Sands National Monument' is described as a play between which two types of balance?

Question 24

What is the definition of radial balance?

Question 25

Which of the following is given as an example of an object from the natural world that exhibits radial balance?

Question 26

In architecture, which features are mentioned as examples of designs that employ radial balance?

Question 27

What symbolic function does radial balance often have in cultural and spiritual designs?

Question 28

What is the defining characteristic of crystallographic balance?

Question 29

What is the more common name for crystallographic balance?

Question 30

In Adeline Harris Sears' 'Signature Quilt', how is the principle of crystallographic balance demonstrated?

Question 31

How is the bookshelf designed by Josef Albers described in the introduction?

Question 32

What creates the subtle balance in Henri Rivière's 'Funeral under Umbrellas', which at first seems to have all its visual weight on one side?

Question 33

In Philip Guston's painting 'Transition', what compositional choices create the effect of a 'transition'?

Question 34

What visual effect is created when the main distribution of weight or visual interest is placed high up in the format?

Question 35

The manipulation of a photograph of Audrey Hepburn, where her right side is flipped to replace her left, is used to illustrate what concept?

Question 36

In Hiroshi Sugimoto's photograph of a movie theater, 'U.A. Play House', what is the primary effect of the bilateral symmetry of the architecture?

Question 37

In Margaret Wharton's sculpture 'Mocking Bird', where does the symmetry of the final birdlike form originate?

Question 38

In Nan Goldin's photograph 'Siobhan with a Cigarette', how is the composition, which is not off balance, maintained?

Question 39

In Aubrey Beardsley's 'Garçons de Café', what is the effect of the figures' white aprons on the composition's balance?

Question 40

In the context of commercial design and page layouts, what visual role does a block of printed text often play?

Question 41

The still-life painting by Henri Fantin-Latour, 'Still Life: Corner of a Table', is described as having a surprising composition. What two elements balance each other in this work?

Question 42

When working on a composition like a portrait, what technique can be useful to reveal a tilted bias that is otherwise 'invisible' to the eye?

Question 43

Josiah McElheny's sculpture 'An End to Modernity' is used as an example of radial balance. What is the sculpture modeled on?

Question 44

How does Jasper Johns's painting 'Map' achieve an allover pattern effect despite its irregular structure?

Question 45

In the hallway of the United States Holocaust/Memorial Museum by Ralph Appelbaum, how is a sense of balance and commemoration achieved with the wall of photographs?

Question 46

The analysis of Picasso's 'Harlequin' in the introduction describes the composition as being balanced as if the shapes were hung from a single point. What part of the figure does this fulcrum run through?

Question 47

In the advertisement poster featuring a pitcher by William Bailey, what subtle element, revealed in the 'empty' area, suggests that what we see first is not the whole story?

Question 48

What term best describes the type of balance used in Bernini's high altar for St. Peter's, which is situated in perfect symmetry within the basilica's architecture?

Question 49

In the sculpture 'supremely black' by Haim Steinbach, how many black pitchers balance the three red detergent boxes?

Question 50

Crystallographic balance, or allover pattern, is described as a special refinement of which other type of balance?